EARLIER WORKS
À¯ÇÐ ½ÃÀý
006
A Passage to Architectural Structure and Conceptual Existence
Tae-Man Choi, Art Critic
040
°ÇÃàÀû ±¸Á¶¿Í °³³äÀû ½ÇÀç·Î ÁøÀÔÇÏ´Â Åë·Î
ÃÖŸ¸ (¹Ì¼ú ºñÆò)
050
2008 KIM CHONG YUNG SCULPTURE MUSEUM
2008 ±èÁ¾¿µ ¹Ì¼ú°ü
058
2012 GALLERY ARTSIDE SOLO EXHIBITION
2012 ¾ÆÆ®»çÀÌµå °³ÀÎÀü
068
Stay a While, You Are So Beautiful
Tae-Man Choi, Art Critic
074
¸ØÃß¾î¶ó, ³Ê´Â ¾Æ¸§´ä´Ù.
ÃÖŸ¸ (¹Ì¼ú ºñÆò)
096
2014 GALLERY IHN SOLO EXHIBITION
2014 °¶·¯¸®ÀÎ °³ÀÎÀü
110
Charcoal, Hanger, Gestalt, and Illusion
Jin-Yeop Kim, Professor of the Department of Aesthetics,
Seoul National University
120
½¡, °ÉÀÌ, °Ô½´Å»Æ®, Âø½Ã
±èÁø¿± (¼¿ï´ë ¹ÌÇаú ±³¼ö)
127
2015 WOOYANG MUSEUM
2015 ¿ì¾ç ¹Ì¼ú°ü
130
Compressed Solids in Half-relief
Jun-Ki Kim, Art Critic
138
¹°Áú°ú °ü³ä, Çü»ó°ú ½Ã¼± ³Ê¸Ó
±èÁرâ (¹Ì¼ú ºñÆò)
143
2015 ESPRIT DIOR
2015 ¿¡½ºÇÁ¸® µð¿Ã - µð¿Ã Á¤½Å
146
2017 MOA MUSEUM
2017 ¸ð¾Æ ¹Ì¼ú°ü
156
2019 BUSAN MUSEUM OF ART
2019 ºÎ»ê½Ã¸³¹Ì¼ú°ü
176
Loss of a Viewpoint, Pictorial Optical Illusion
Daishik Yim, Art Critic
190
½ÃÁ¡ÀÇ »ó½Ç, ȸÈÀû Âø½Ã
ÀÓ´ë½Ä (¹Ì¼ú ºñÆò)
206
THE SHILLA
È£ÅÚ ½Å¶ó
218
PUBLIC ART PROJECTS
°ø°ø¹Ì¼ú ÇÁ·ÎÁ§Æ®
224
GLOBAL EXHIBITIONS
ÇØ¿Ü Àü½Ã
230
Endless Enumeration in the Space: Fiction of
Fabricated Image and Nature's End
Seonghi Bahk
246
ÍöÊà ¼ÓÀÇ ³¡¾ø´Â ³ª¿... úÈßÌ ±×¸®°í í»æÔÀÇ ³¡
¹Ú¼±±â
252
THE STUDIO
½ºÆ©µð¿À
256
BIBLIOGRAPHY
266