[ÃÖ»ó] ¹Ú¼±±â ºäƼǮ ¸¶Àεå
ÂòÇϱ⠰øÀ¯Çϱâ
  • ±¸ÀÔ¿¬µµ
    È®ÀξȵÊ
    ÃâÆÇ¿¬µµ
    Ç¥±â¾ÈµÊ
  • ÃâÆÇ»ç
    ±×·¹ÆÄÀÌÆ®¿ÂÇÎÅ©  
    ISBN
    9791187938101
  • ÀúÀÚ
    ¹Ú¼±±â
  • µµ¼­Á¤º¸
    296 , 240x297 , 2020.08.08
  • µµ¼­µî±Þ
    ÃÖ»ó
  • Á¤°¡
    38,000¿ø (13%¡é)
  • ÆǸŰ¡
    33,060¿ø (¼Òµæ°øÁ¦ÇýÅÃ: 1,488¿ø ÀÚ¼¼È÷)
  • ¹è¼Ûºñ
    ¹«·á ¡­ 3,000¿ø

»ó¼¼Á¤º¸

EARLIER WORKS
À¯ÇÐ ½ÃÀý
006

A Passage to Architectural Structure and Conceptual Existence
Tae-Man Choi, Art Critic
040

°ÇÃàÀû ±¸Á¶¿Í °³³äÀû ½ÇÀç·Î ÁøÀÔÇÏ´Â Åë·Î
ÃÖŸ¸ (¹Ì¼ú ºñÆò)
050

2008 KIM CHONG YUNG SCULPTURE MUSEUM
2008 ±èÁ¾¿µ ¹Ì¼ú°ü
058

2012 GALLERY ARTSIDE SOLO EXHIBITION
2012 ¾ÆÆ®»çÀÌµå °³ÀÎÀü
068

Stay a While, You Are So Beautiful
Tae-Man Choi, Art Critic
074

¸ØÃß¾î¶ó, ³Ê´Â ¾Æ¸§´ä´Ù.
ÃÖŸ¸ (¹Ì¼ú ºñÆò)
096

2014 GALLERY IHN SOLO EXHIBITION
2014 °¶·¯¸®ÀÎ °³ÀÎÀü
110

Charcoal, Hanger, Gestalt, and Illusion
Jin-Yeop Kim, Professor of the Department of Aesthetics,
Seoul National University
120

½¡, °ÉÀÌ, °Ô½´Å»Æ®, Âø½Ã
±èÁø¿± (¼­¿ï´ë ¹ÌÇаú ±³¼ö)
127

2015 WOOYANG MUSEUM
2015 ¿ì¾ç ¹Ì¼ú°ü
130

Compressed Solids in Half-relief
Jun-Ki Kim, Art Critic
138

¹°Áú°ú °ü³ä, Çü»ó°ú ½Ã¼± ³Ê¸Ó
±èÁرâ (¹Ì¼ú ºñÆò)
143

2015 ESPRIT DIOR
2015 ¿¡½ºÇÁ¸® µð¿Ã - µð¿Ã Á¤½Å
146

2017 MOA MUSEUM
2017 ¸ð¾Æ ¹Ì¼ú°ü
156

2019 BUSAN MUSEUM OF ART
2019 ºÎ»ê½Ã¸³¹Ì¼ú°ü
176

Loss of a Viewpoint, Pictorial Optical Illusion
Daishik Yim, Art Critic
190

½ÃÁ¡ÀÇ »ó½Ç, ȸȭÀû Âø½Ã
ÀÓ´ë½Ä (¹Ì¼ú ºñÆò)
206

THE SHILLA
È£ÅÚ ½Å¶ó
218

PUBLIC ART PROJECTS
°ø°ø¹Ì¼ú ÇÁ·ÎÁ§Æ®
224

GLOBAL EXHIBITIONS
ÇØ¿Ü Àü½Ã
230

Endless Enumeration in the Space: Fiction of
Fabricated Image and Nature's End
Seonghi Bahk
246

ÍöÊà ¼ÓÀÇ ³¡¾ø´Â ³ª¿­... úÈßÌ ±×¸®°í í»æÔÀÇ ³¡
¹Ú¼±±â
252

THE STUDIO
½ºÆ©µð¿À
256

BIBLIOGRAPHY
266
 

¼­Æòº¸±â

±¸¸ÅÁß³»¿ª

µ¿ÀÏÇÑ µµ¼­¸íÀÇ Á¦Ç°À» ÆǸÅÇÏ´Â ´Ù¸¥ ÆǸÅÀÚÀÇ ÁÖ¹®³»¿ªµµ Æ÷ÇԵǾî ÀÖ½À´Ï´Ù.

ÁÖ¹®ÀÚ(ID) »óÅ ½Ã°£ ÁÖ¹®ÀÚ(ID) »óÅ ½Ã°£ ÁÖ¹®ÀÚ(ID) »óÅ ½Ã°£
±¸¸ÅÁß ³»¿ªÀÌ ¾ø½À´Ï´Ù.
 

´ÜÇົ BEST µµ¼­

³ªÀǼîÇÎ

  • Ä«µå³»¿ªÁ¶È¸
  • ¸¸Á·µµº¸±â
  • ÆǸÅÀÚº¸±â

ÃÖ±Ùº»»óÇ°

Àå¹Ù±¸´Ï

TOP